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Whereas this larger critique of society and a lone man's fight is nothing new to cinema or art, Natsamrat's unique claim to greatness comes from its brilliant synthesis of searching dialogues and superb acting. Impotent political correctness and circumspect sheepishness is now the order of the day where truth of any kind is banished and manipulative strategies are encouraged, indeed celebrated. It has no need of a larger than life actor who lives his life with much of the flair and celebration and truthfulness with which he decorated the roles of the great tragedians of the past. It tells the story of a once - celebrated giant of the stage whose retirement from theater also starts the beginning of his fall from glory into a miserable state of existence, bought about by ungrateful children and a society that has retreated further into its hypocrisy and shallowness. Life has since moved on and theater has become relegated to the margins of society but a glimpse of what it was capable of has been presented in this great work of art which should become a classic in time. Natsamrat is a tribute to a bygone era of Marathi theater which was probably the last great art movement that shaped the texture of the society it inhabited and which it took inspiration from.